Textiles LIVE
  • Home
  • About
  • Tours
  • Shop
    • Artisans by Design: An Odyssey of Education for Textile Artisans in India
    • The Art of the Dyer in Kutch
    • Handmade Women’s Wear
    • Handmade Men’s Wear
    • Handmade Accessories
    • Handmade Home Decor
    • Handmade Bath Decor
  • TextileTechniques
  • Meet theMakers
    • Ajrakh Print Artists
    • Bandhani Artists
    • Batik Print Artists
    • Rabari Embroidery Artists
    • Suf Embroidery Artists
    • Weaving Artists
  • Blog
  • Publications
    • Artisans by Design: An Odyssey of Education for Textile Artisans in India
    • The Art of the Dyer in Kutch
    • Threads of Identity
    • Articles
  • Events
    • Upcoming Events
    • Archived Events
  • Learn
  • Contact
  • Menu Menu
Articles

Tofurky and Contemporary Crafts

Two phrases we hear all too often are: “We want something that is not so ethnic” and “We want to take the skills and make the work Contemporary.”

To this, I say, TOFURKEY.  What does Tofurkey have to do with craft?  Tofurkey is the food of guilty carnivores.  It is tofu made to taste like turkey, because some people really want to eat turkey but they think they should not.  Tofu masquerading as turkey is a perfect solution- guilt free post Thanksgiving sandwiches.

Similarly there are people who want to like craft, but then again want to eliminate its character.  Craft IS ethnic!  It is hand art, the expression of an ethnic culture. Ethnic is precisely its character and its beauty.  This is not to say that craft should not change.  Traditions always evolve.  The challenge that Kala Raksha has taken is to update traditional objects to fit contemporary life, without eradicating their essential identity.

As for contemporary, I somehow hear a pejorative touch to the word, as if contemporary is good and tradition is not.  Contemporary is by nature transient (how long can something remain contemporary?) Tradition lasts; it has to have lasted to be called “tradition!”  Do we want craft to speed beyond its identity to fit into a fashion- only to be discarded when the next wave of contemporary appears?

The good news is that in Kala Raksha’s experience the products with cultural integrity- that draw their strength from their ethnic traditions- are the ones that have lasted in the market!  Of course they have to be updated to fit the needs of contemporary life, but not to the eradication of their essential identity.  This is a challenge to be sure, but when it succeeds, it lasts.  Those products that tried too hard to be contemporary- that looked like an au courant bag with tradition based hand work stuck on the front, appealed to neither the contemporary nor the classical market.

And so we are looking back to our rich resource of traditional textiles to develop this year’s collection.  No Tofurkey for us this Thanksgiving…..

April 27, 2012
Share this entry
  • Share on Facebook
  • Share on X
  • Share on Pinterest
  • Share by Mail
https://textileslive.com/wp-content/uploads/2-vagadia-woman-sm-61.jpg 1000 661 Judy Frater https://textileslive.com/wp-content/uploads/TextilesLive_Logo_150.png Judy Frater2012-04-27 14:32:032023-04-04 21:11:02Tofurky and Contemporary Crafts

Search

Search Search

Latest Articles

  • Education for Artisans-and ConsumersSeptember 30, 2024 - 6:46 pm
  • Weavers in MoroccoMay 23, 2024 - 12:06 am
  • Book Launch & TourMay 22, 2024 - 7:38 pm
  • JUDY Connecting for India FULL TALKDecember 3, 2023 - 1:12 pm
  • Consumers and Craft ConnoisseursOctober 16, 2023 - 11:26 pm
  • CSR & CraftOctober 16, 2023 - 11:17 pm
  • All About ValueSeptember 23, 2023 - 7:05 pm
  • Market ForcesSeptember 16, 2023 - 9:55 pm

Archives

  • September 2024 (1)
  • May 2024 (2)
  • December 2023 (1)
  • October 2023 (2)
  • September 2023 (5)
  • August 2023 (11)
  • April 2023 (1)
  • August 2021 (2)
  • December 2020 (1)
  • May 2020 (1)
  • September 2019 (1)
  • August 2019 (1)
  • February 2019 (1)
  • August 2018 (1)
  • May 2018 (2)
  • March 2018 (1)
  • February 2018 (1)
  • December 2017 (1)
  • August 2017 (3)
  • January 2017 (1)
  • November 2016 (1)
  • October 2016 (1)
  • May 2016 (1)
  • April 2016 (1)
  • February 2016 (2)
  • December 2015 (1)
  • October 2015 (1)
  • September 2015 (1)
  • July 2015 (1)
  • June 2015 (1)
  • May 2015 (1)
  • March 2015 (2)
  • November 2014 (3)
  • October 2014 (3)
  • July 2014 (1)
  • June 2014 (2)
  • May 2014 (1)
  • March 2014 (2)
  • February 2014 (1)
  • November 2013 (1)
  • January 2013 (1)
  • April 2012 (4)

Meet the Makers

  • Ajrakh Print Artists
  • Bandhani Artists
  • Batik Print Artists
  • Rabari Embroidery Artists
  • Suf Embroidery Artists Copy
  • Weaving Artists

Artists

  • Zakiya Adil KhatriMarch 25, 2021 - 7:07 am
  • Tulsi Puroshottam PuvarMarch 25, 2021 - 7:00 am
  • Soyab AKT KhatriMarch 25, 2021 - 6:45 am
  • Shakil Ahmed Qasam KhatriMarch 25, 2021 - 6:32 am
  • Sajnuben Pachan RabariMarch 25, 2021 - 6:22 am

Meet All the Makers

Latest Articles

  • Education for Artisans-and ConsumersSeptember 30, 2024 - 6:46 pm
  • Weavers in MoroccoMay 23, 2024 - 12:06 am
  • Book Launch & TourMay 22, 2024 - 7:38 pm
  • JUDY Connecting for India FULL TALKDecember 3, 2023 - 1:12 pm
  • Consumers and Craft ConnoisseursOctober 16, 2023 - 11:26 pm

View All the Articles

Follow

  • Instagram - Judy Frater
Copyright© 2023 - Textiles Live - Site by LUCIE
Link to: The Unbearable Cuteness of Commercialization Link to: The Unbearable Cuteness of Commercialization The Unbearable Cuteness of Commercialization Link to: EMPOWERMENT in 5 Minutes Link to: EMPOWERMENT in 5 Minutes EMPOWERMENT in 5 Minutes
Scroll to top Scroll to top Scroll to top